Sonu Sood has become a messiah for hundreds of migrant workers, students and every other distressed person who has approached him for help ever since the nation went into lockdown owing to the coronavirus pandemic.
Sonu has left no stone unturned in forwarding a helping hand to those who needed him the most amid the crisis.
However, a recent tweet by the actor has led some netizens to believe that his work during the pandemic is only a PR gig of his team.
On Sunday, Sonu responded to a Twitter user’s cry for help as his son had to undergo an open heart surgery.
Hi Sonu SirMy son is affected with pulmonary stenosis where his body can’t take 100% of oxygen his oxygen leveldr… https://t.co/CR3nGthyXI
Responding to the tweet, Sonu tweeted, “Tomorrow your son will be admitted to SRCC Hospital Mumbai. Surgery will be scheduled this week.”
However, some netizens raised a suspicion as Sonu’s official Twitter handle wasn’t tagged nor did the user mention her location. Besides, netizens pointed out that the account was created in October and has only one tweet and the user had only 2-3 followers.
After receiving backlash on Twitter, Sonu responded to one of the users who had slammed the actor and said that he finds the needy and somehow even they manage to find him.
“That’s the best part brother. I find a needy & they somehow find me. It’s about INTENTIONS, but u won’t understand. Tom patient will be in SRCC Hospital kindly do ur bit. Send some fruits for him. Someone with 2-3 followers will be happy to get some love from a man with followers,” he wrote.
Defending his actions, Sonu also shared excel sheets and other documents showing he reached out to the user.
That’s the best part brother.I find a needy & they somehow find me. It’s about“INTENTIONS”, but u won’t understand… https://t.co/hwb7ZGTJwJ
On Saturday, Sonu shared a picture of the letters he receives on an everyday basis. Along with it, he wrote, “HELP” mails that I receive every day. I wish I could reach out to everyone, which looks impossible. Will wait for the day when these letters will reduce in numbers and we will have more prosperity everywhere.”
In September, Sonu was conferred with the coveted SDG Special Humanitarian Action Award by the United Nations Development Programme (UNDP) for his philanthropic work.
On receiving the award, Sood had said, “I have done whatever little I have done, in my own humble way, for my fellow countrymen without any expectations. However, to be recognised and awarded feels good.”
It’s no secret that volunteering can be a great way to give back to your community and a cause you’re passionate about, make friends, and broaden your networks and skillbase.
There’s also a chance that with a bit (or a lot) of hard work, time, and passion, your volunteering job can turn into paid work.
But is there a right and a wrong way to go about doing this? We asked the CEO of Volunteering Australia, Mark Pearce, for some advice.
Volunteer more than once
It’s important to keep in mind that giving one random day of your time to a charity probably won’t land you an instant job. These things take a level of personal investment, so find a volunteering opportunity you enjoy, and stick to it.
“Potential employers will view an ongoing volunteering role as having more likely impacted on skills development and work experience,” Pearce says.
Be on the lookout for opportunity
Staying open minded about your experience as a volunteer is critical. If you go in expecting to get paid at the end of it, you’ll probably be disappointed. Instead, Pearce says you should keep your eyes and ears open for new contacts or opportunities that will help you find an entry point into the organisation.
“Job seekers need to be mindful of the potential opportunities to gain work experience or to develop skills as part of the volunteering experience,” he explains.
View it as a chance for self development
The job market is particularly competitive at the moment and it’s easy to feel defeated when you’ve been knocked back from all the jobs you’re applying for.
But volunteering comes with a whole range of benefits and can help you feel more motivated, confident and industrious when looking for work.
“Volunteering may assist in ‘levelling the playing field’ for individuals who typically have a more difficult time finding employment, especially during a recession or if lacking experience in a particular industry or role,” Pearce says.
“During the whole lockdown thing it’s been kind of hard to put an original stamp on a set or a piece of live music; everyone’s been playing from their living rooms, everyone’s playing next to the f—ing fridge, so we had to come up with something new.”
The end result, an hour-long live-streamed performance at Spitbank Fort, was broadcast in October and also heralded the drum ‘n’ bass outfit’s first new material in a decade; the double-A side Driver/Nothing For Free.
Not being able to perform live has other pitfalls; even with their show at Spitbank Fort and a well-received global release, the group’s new material still hasn’t been tested in front of crowds.
“When we’re getting ready to release something always a huge component of it is playing it to small audiences, or sometimes even big audiences, and getting a lot of feedback from that, especially when it comes to Rob doing final mixdowns and stuff,” McGrillen said.
“That’s one thing we’ve definitely missed.”
Pendulum will be able to break free from the bonds of live-streaming soon and give crowds a full dose of new music with a homecoming headline slot at Perth’s Origin Fields New Year festival.
Billed as ‘Pendulum Trinity’ the group’s founding members – Swire, Gareth McGrillen and Paul ‘El Hornet’ Harding – are the first headliners announced alongside Australian house heavyweight Dom Dolla.
Based in the UK, McGrillen and Swire are very much ready to “do the whole quarantine thing” and fly to Perth to join Harding, who lives in the group’s hometown. With coronavirus cases soaring around the world, it seems there’s nowhere else they’d rather be.
“Perth’s the safest place in the world right now,” McGrillen said.
It’s been a long time between drinks on the new music front, with Swire and McGrillen splitting off to form the electro/bass-driven Knife Party after Pendulum’s last album, Immersion, was released in 2010.
Pendulum shows continued, primarily driven by Harding, and when live shows returned in 2016, so did the ideas for new music under the Pendulum banner.
As with anything released in 2020, it’s tempting to read into the new tunes as inspired by the trash-fire year that was, but Swire said the roots of Driver/Nothing For Free came as early as 2016.
“I think current events might have added 20 per cent angst to the sound,” he said.
“Ten years is a nice round number and I sort of feel if you get away longer than that, you may as well not bother … we’d been doing the Knife Party thing for about 10 years, we always feel like switching it up.”
And while 2020 marks the first new Pendulum music in a decade, it is also another milestone; 15 years since the group’s explosive debut album, Hold Your Colour.
The release still holds a special place for fans and the group alike – “the tracks on it still feel kind of magic,” Swire said – but at the time the trio didn’t know whether they had a hit or a flop on their hands.
“It was a weird time for us, we’d only been in England for about two years when we wrote it. In retrospect, it’s kind of the sound of culture shock and sleep deprivation,” Swire said.
“I think the first time we knew this whole thing had some longevity to it was when we made the next album (2008’s In Silico).
“We sort of switched the style and it still works and we thought, ‘Well, we’re onto something’, because we’ve brought all these new fans in who don’t even like drum ‘n’ bass.”
There’s a temptation, listening to Driver/Nothing For Free, to draw parallels between the tracks and the distinct styles between Pendulum’s earlier releases.
Driver, as the name suggests, is a fast-paced drum ‘n’ bass anthem; a heavy, rolling beat setting the pace for buzzsaw basslines interspersed with breakbeat clatters. Nothing For Free, on the other hand, features sing-along hooks rising to a rocking, headbanging crescendo, reminiscent of the outfit’s later albums.
So, is this a conscious effort? Or a by-product of almost two decades producing forward-thinking, genre-blending electronic hits?
The latter, largely.
Swire and McGrillen agreed they never intended to follow their earlier work too closely, but when inspiration strikes, well, sometimes it just pans out that way.
“It somehow just organically falls into either [style]; you get a sense halfway through, you get a sense like, ‘This sounds like kind of a Hold Your Colour tip’, or you can tell it’s a new style,” Swire said.
Pendulum will perform at Langley Park on Perth’s foreshore on New Year’s Eve. Tickets and information at originfields.com.au.