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Laborjack scales gig economy platform for on-demand manual labor staffing services

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Laborjack 2020

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Blake Craig and Josh Moser, co-founders of Laborjack (from left to right)

FORT COLLINS, Colo., Oct. 28, 2020 (GLOBE NEWSWIRE) — Laborjack, an on-demand moving, landscaping and staffing business, today announced the launch of the newest version of its platform. This enables the company to expand its concept, which connects a variable workforce to individuals and businesses via an online platform, to cities across the nation.

Specializing in matching laborers to both individuals and businesses in markets across Colorado and Arizona, Laborjack was founded in 2016 by Colorado State University college students as a way to improve the U.S.’s $430 billion temporary labor market. Laborjack offers college students the opportunity to earn income (an average of $21/hour) while maintaining a flexible schedule. Since its launch, the company has completed more than 5,000 jobs and surpassed its original productivity goals for both revenue growth and number of customers by 35%.

“We saw a need in the market and started out small but were surprised by how quickly Laborjack has grown into a full-time operation. The B2B side of the business is responsible for much of our growth, as we realized that we can not only grow Laborjack but help others scale in a way that makes financial sense for them,” said Blake Craig, co-founder of Laborjack. “Just like Uber, users request labor for their specific task online, and we connect them with a vetted, professional and friendly team to get their job done.”

Laborjack’s unique business model allows the company to create massive growth opportunities for B2B customers by providing employees on an as-needed basis. Laborjack is most popular among customers in the agriculture, construction, event planning, landscaping, moving, real estate/home staging and trade show verticals.

“Laborjack has been a game-changer for my business, which relies on having solid help available, oftentimes without much notice,” said L. Kent Cottle, owner and executive chef at Z Catering and Events. “My company plans and holds events of many different sizes. It’s a challenge to know how much staff I need at each event, and I rely on Laborjack to provide the help I need. With Laborjack, I get reliable assistance at my events when I need it, every time.” 

Laborjack operates in the gig economy space, a labor market characterized by the prevalence of short-term contracts or freelance work as opposed to permanent jobs. Recent reports show that more than one-third of the U.S. population is now involved in the gig economy and that more than 50% of the U.S. workforce will participate in it by 2027.

“Good help is hard to find, and Laborjack simplifies the process of hiring reliable workers,” said Josh Moser, co-founder of Laborjack. “We connect our customers with vetted, capable workers through a seamless online process. You provide the supplies for your task, and we provide the able bodies to get your task done. The gig economy is truly an incredible thing!” 

Having recently won multiple pitch competitions, Laborjack is gaining traction in markets across Colorado and Arizona. Laborjack is already heavily involved in community outreach programs in Colorado, including Realities For Children

Despite the economic environment in the U.S. in 2020, Laborjack is cash flow positive, and the company is currently preparing for its first investment opportunity at the end of the year. For more information, visit www.laborjack.com.

About Laborjack

Laborjack is a Fort Collins, Colorado-based moving, landscaping and staffing business that connects people through an online platform. The company specializes in matching laborers, usually college students, for moving, landscaping and general labor staffing in markets across Colorado and Arizona. For more information, watch this video  or visit www.laborjack.com.

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Melissa Christensen–Director of Public Relations 
mchristensen@mapr.agency
970-363-4652 

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Finding health insurance a headache for gig workers | Mid-Missouri News

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COLUMBIA – When Amy Crousore decided to become a full-time musician 3 years ago, she never imagined a pandemic would dry up her business.

Now, 8 months into the global health crisis, Crousore is reflecting on the struggles of the gig industry.

“Everything shut down and there was just no back up for us,” she said.

She said many of her colleagues were already taking day jobs before the pandemic just so they could receive health insurance.

Crousore has also taken up a job as a caretaker to make ends meet until venues reopen.

“We compared about 12 different healthcare plans,” she said. “I considered whether I would have to take a loan to pay for a more expensive plan.”

Health insurance is a headache Jason Gruender and Jen Wheeler know well.

Gruender manages Liberty Family Medicine with his wife, a doctor.

Wheeler manages Big Tree Medical Home with her husband, also a doctor.

Both clinics operate through unconventional business models that are less reliant on traditional insurance plans. Instead, you pay for a membership or one-time fees.

“We believe in our model, and it’s working well across the nation, and it’s working well here in Columbia,” Wheeler said.

Gruender is also confident in his clinic.

“I think we have a broken health care system,” he said. “The clinic is not a complete solution to that problem, but it’s a step in the right direction.”

As the world navigates a pandemic, the path to affordable health care has been riddled with troubles.

Crousore worries necessities like health care will alter the landscape of the music industry.

“Do you want there to be nobody you can call to play for your wedding because everybody is working 40 hours a week to get insurance,” Crousore asked. “What kind of world do you want?”

Gruender and Wheeler also said choosing a health insurance plan is an important decision that should be given lots of thought.

Enrollment through the Affordable Care Act is open right now and closes Dec. 15. There are other enrollment periods for special life events, such as getting married.

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Pendulum swings back to break lockdown lull with hometown New Year’s gig

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“During the whole lockdown thing it’s been kind of hard to put an original stamp on a set or a piece of live music; everyone’s been playing from their living rooms, everyone’s playing next to the f—ing fridge, so we had to come up with something new.”

The end result, an hour-long live-streamed performance at Spitbank Fort, was broadcast in October and also heralded the drum ‘n’ bass outfit’s first new material in a decade; the double-A side Driver/Nothing For Free.

Not being able to perform live has other pitfalls; even with their show at Spitbank Fort and a well-received global release, the group’s new material still hasn’t been tested in front of crowds.

“When we’re getting ready to release something always a huge component of it is playing it to small audiences, or sometimes even big audiences, and getting a lot of feedback from that, especially when it comes to Rob doing final mixdowns and stuff,” McGrillen said.

“That’s one thing we’ve definitely missed.”

Pendulum will be able to break free from the bonds of live-streaming soon and give crowds a full dose of new music with a homecoming headline slot at Perth’s Origin Fields New Year festival.

Billed as ‘Pendulum Trinity’ the group’s founding members – Swire, Gareth McGrillen and Paul ‘El Hornet’ Harding – are the first headliners announced alongside Australian house heavyweight Dom Dolla.

Based in the UK, McGrillen and Swire are very much ready to “do the whole quarantine thing” and fly to Perth to join Harding, who lives in the group’s hometown. With coronavirus cases soaring around the world, it seems there’s nowhere else they’d rather be.

“Perth’s the safest place in the world right now,” McGrillen said.

It’s been a long time between drinks on the new music front, with Swire and McGrillen splitting off to form the electro/bass-driven Knife Party after Pendulum’s last album, Immersion, was released in 2010.

Pendulum shows continued, primarily driven by Harding, and when live shows returned in 2016, so did the ideas for new music under the Pendulum banner.

As with anything released in 2020, it’s tempting to read into the new tunes as inspired by the trash-fire year that was, but Swire said the roots of Driver/Nothing For Free came as early as 2016.

“I think current events might have added 20 per cent angst to the sound,” he said.

“Ten years is a nice round number and I sort of feel if you get away longer than that, you may as well not bother … we’d been doing the Knife Party thing for about 10 years, we always feel like switching it up.”

And while 2020 marks the first new Pendulum music in a decade, it is also another milestone; 15 years since the group’s explosive debut album, Hold Your Colour.

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The release still holds a special place for fans and the group alike – “the tracks on it still feel kind of magic,” Swire said – but at the time the trio didn’t know whether they had a hit or a flop on their hands.

“It was a weird time for us, we’d only been in England for about two years when we wrote it. In retrospect, it’s kind of the sound of culture shock and sleep deprivation,” Swire said.

“I think the first time we knew this whole thing had some longevity to it was when we made the next album (2008’s In Silico).

“We sort of switched the style and it still works and we thought, ‘Well, we’re onto something’, because we’ve brought all these new fans in who don’t even like drum ‘n’ bass.”

There’s a temptation, listening to Driver/Nothing For Free, to draw parallels between the tracks and the distinct styles between Pendulum’s earlier releases.

Driver, as the name suggests, is a fast-paced drum ‘n’ bass anthem; a heavy, rolling beat setting the pace for buzzsaw basslines interspersed with breakbeat clatters. Nothing For Free, on the other hand, features sing-along hooks rising to a rocking, headbanging crescendo, reminiscent of the outfit’s later albums.

So, is this a conscious effort? Or a by-product of almost two decades producing forward-thinking, genre-blending electronic hits?

The latter, largely.

Swire and McGrillen agreed they never intended to follow their earlier work too closely, but when inspiration strikes, well, sometimes it just pans out that way.

“It somehow just organically falls into either [style]; you get a sense halfway through, you get a sense like, ‘This sounds like kind of a Hold Your Colour tip’, or you can tell it’s a new style,” Swire said.

Pendulum will perform at Langley Park on Perth’s foreshore on New Year’s Eve. Tickets and information at originfields.com.au.

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This Maltese Rapper Has Landed A Gig Producing Audio For Mike Tyson

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From partying at Dan Bilzerian’s mansion to hanging out with Instagram Influencer Alexis Ren, Chris Birdd is living the celebrity lifestyle – but nothing compares to his latest project.

The Maltese rapper has just joined forces with Mike Tyson’s team (yes, the legendary boxing champion) to mix and produce audio for his upcoming commercials. 

“My close friend became his videographer not too long ago and asked me to do all the audio engineering for Mike’s adverts,” Birdd told Lovin Malta. 

The project has been in the pipeline for some time with Birdd sworn to secrecy until the first advert was released which, in fact, was just a few days ago for a Thanksgiving special which has since been aired on TMZ and Fox News.

“The video was shot and edited by my close friends Mike Angel and Dray Millz,” Birdd continued. “At the moment I’m working project by project.”

Despite continuing to work with Tyson’s team, the Maltese rapper has yet to meet the boxing champion who is set to make his first appearance in the ring after over two decades this evening against Roy Jones Jr.

But he’s hopeful that one day he will, once the COVID-19 pandemic is over. 

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